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    • work
      • metaphorical cells
      • vidlets
      • drawing and painting
      • the misery of the daily commute
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Acrylic painting on canvas featuring a transparent coffee pot with a dark lid beside a brown glass bottle holding dried, spiky stems. The bottle has a white label with cursive text, and both objects sit against a warm buff‑titanium gradient background.
Acrylic painting on canvas showing a single metal fork positioned vertically against a textured buff titanium background. The fork is centered and crisply rendered, standing out against the minimal, softly toned surface.
Acrylic painting on canvas depicting a stylized bouquet of abstract flowers arranged in a grey ceramic mug. The flowers vary in colour, shape, and texture, set against a soft buff titanium background and a warm ochre yellow tabletop.
Acrylic painting on paper showing a plate of fried fish and chips with a lemon wedge on top of the fish. A fork and knife sit to the right of the plate on a blue‑and‑gold diamond‑patterned tablecloth, with a cadmium red background framing the scene.
Acrylic painting on paper showing a white mug on an ochre yellow surface against a bright, cadmium red background. Six stylized flowers with abstract circular and petal‑like forms rise from the mug on thin black stems, rendered in bold colours including green, black, red, and yellow.
Acrylic painting on paper depicting a cadmium‑red tomato‑shaped pincushion with a small attached strawberry emery, set on a phthalocyanine‑blue (green shade) surface against a buff‑titanium background. The pincushion is studded with colourful plastic ball‑topped pins, metal sewing needles, and small plastic pins arranged in partial shapes, including a visible yellow U‑shaped cluster and red plastic pins forming part of a heart. Thread lines divide the tomato into sections.
Abstract acrylic and oil‑bar painting on paper with two stacked rectangular forms outlined in dark lines. The upper shape is filled with muted cream and grey, and the lower with bright yellow. Loose, looping dark strokes cross the composition, set against layered earthy tones of brown, ochre, grey, and white.
Abstract acrylic and oil‑bar painting on paper with a dark, square‑like form made of layered brown, black, and grey strokes at the centre. The background is a muted mix of beige, grey, and yellow with scraped, textured areas that contrast the dense central structure.
Abstract acrylic and oil‑bar painting on paper featuring a central off‑white and yellow rectangular form surrounded by dark, gestural strokes. The background is layered with muted yellows, browns, and greys, with visible scraping and textured brushwork creating a sense of depth and movement.
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    • home
    • about
    • artist’s statement
    • work
      • metaphorical cells
      • vidlets
      • drawing and painting
      • the misery of the daily commute
    • experience
    • writing